Miya Andometiculously studies the sky, chronicling different times of day, location, weather and seasonal changes in her artworks. The artist's practice is rooted in mono no aware, a concept from her Japanese heritage that refers to the awareness of impermanence and beauty, or a sensitivity to ephemera. Ando's upbringing bridges the cultures and languages of two distinct worlds: the Redwood Forest of Northern California and a Buddhist temple in Japan. Her sculptures, paintings, drawings and installations reflect this cultural duality as well as the dialogue between the natural and the man-made. On view in the exhibition are sublime works that reflect her sensitivity to nature and passage of time. The images are sourced from photographs she takes and documents of a particular place and moment in the sky's timeline. These images are then screen printed on metal sheets—the material chosen not only for its physical properties but also as a nod to the swordsmith trade of her forebearers. The artist layers her printing techniques with thin veils of ink and pigment mixed with urethane over the metallic surface. Some areas are left bare, allowing for the underlying sheen and color to assert itself, while a shift in tonality, luster and opacity render nuanced silvery clouds in the composition. For Ando, her creative process is a full immersion into her cultural background as well as an expression of the impermanence and human interdependence with nature. Ando's works are in many important collections including the Los Angeles County Museum of Art; Nassau County Museum of Art; Detroit Institute of Art and Luftmuseum Amberg, Germany, among others.